Thursday, February 7, 2008
Tuesday, February 5, 2008
This Week
@Box - "untitled 12" - (Rune Grammofon)
#Justus Fohncke - "Feuerland" (Kompakt)
$Krikor - “Rock hard in a funky place” (Kill The DJ)
%Mountain Goats - "Autoclave" (4AD)
^Poni Hoax - "Involutive Star" [Joakim Remix] (Tigersushi)
&Pwrfl Power - "Soft Boy" (Slender Means)
*Principles of Geometry - "Napoleon" (Tigersushi)
=Stephen Malkmus and the Jicks - "Baltimore" (Matador)
+Valet - "Kehaar" (Kranky)
Monday, January 28, 2008
finally!!!!
"nice hat. what are you, like three?"
- girl in safeway
i was also wearing my lumberjack vest and bad-as-fuck train pins.
- girl in safeway
i was also wearing my lumberjack vest and bad-as-fuck train pins.
Thursday, January 24, 2008
This Week (Last Week!)
!1-Speed Bike - "Along With the Rest of This Racist System, We Left The Body Of Indy Rock On A Plateau For The Vultures To Eat" (Transformed Dreams)
@Bat For Lashes - "I'm On Fire" [cover] (Echo)
#DJ Donna Summer - "Rock Rock Rock" (Cock Rock Disco)
$Growing - "After Glow" (Social Registry)
%His Name Is Alive - "Happy Blues (Recloose remix)" (Silver Mountain Media)
^Kathy Diamond - "All Woman" (Permanent Vacation)
&Kit Clayton - "Grey Amber" (Nummer)
*Let's Go Outside - "I'll Lick Your Spine" (Soma)
=Sascha Funke - "Chemin Des Figons" (Bpitch)
@Bat For Lashes - "I'm On Fire" [cover] (Echo)
#DJ Donna Summer - "Rock Rock Rock" (Cock Rock Disco)
$Growing - "After Glow" (Social Registry)
%His Name Is Alive - "Happy Blues (Recloose remix)" (Silver Mountain Media)
^Kathy Diamond - "All Woman" (Permanent Vacation)
&Kit Clayton - "Grey Amber" (Nummer)
*Let's Go Outside - "I'll Lick Your Spine" (Soma)
=Sascha Funke - "Chemin Des Figons" (Bpitch)
Monday, January 21, 2008
they wanted to eat this party's brains
The general agreement now seems to be that 'hipster' doesn't really mean anything, at least among those that are paranoid that they might be hipsters themselves. To some it still means overdressed. To some it means 'graphic designer.' To some it means 'works at a weekly newspaper.' To some it means anyone that's ever denied being a hipster.
Well, I saw very clearly what 'it' is on Saturday night. And, rest assured, most of you are safe.
I went to Philly for the first time for a party. It was at Diplo's mausoleum which is a better-than-average warehouse space and an actual ex-mausoleum. I have no idea where in Philly we were at. I'd mentioned on Wednesday that I might try and go up because Glass Candy was doing another show up there and, hey, it might be cool to see them play a all-night blue pill and sweat mess and I was hoping Mike Simonetti would do a set (nope). Then I said I'd never been to Philly--like, I've never even driven through--and a friend went ballistic and insisted. So, despite epic haggardness (but still nothing compared to right now, which is just some srsly next level hangover shit as in I never want to see a Natty Boh again until, like, Wednesday night at the very earliest only because I have to review Shadow and if I don't get ten hours tonight I'm a guaranteed to be a danger to myself and others tomorrow)...where the fuck was I? Oh, right: I went to Philly.
Events leading up to the point of this post in capsule: van breaks down, mega thugged on at a bar by the the mausoleum, someone who will go unnamed goes way way too heavy on alcohol and winds doing this dance that looks like he's trying to hold onto the wing of a jet plane or like he's a suffocating fish, I almost piss myself because dude got ONE motherfucking porta potty for 600 some odd people, lady I was dancing with's friend straight falls over like a felled tree, and did I mention the van broke down?
The point of this post: It gets to a time where the space is packed, as in dancing is just not possible. People are trying to leave and I'm one of them because I have to piss again and I'd rather handle it in the bushes. But, they're not letting people out because there's concerns about the police and people lurking outside making scenes. This I assume anyhow. So, the door, which is this big metal sliding garage door thing is shut. There's kind of a panic vibe by the door. And the brave and noble staff (I mean that. Crazy props to Cullen, Simon, and the Mad Decent peoples not including Mr. Diplo himself whoseemed to be getting a kick out of the situation in a rather prickish way but I could be wrong about that so friends of and the gentleman himself shouldn't take that too heavy was pretty concerned and wound up helping with the door after I left the little door foyer/loading bay) don't really know what to do because there's all these people outside trying to get in bad way and there's no room at the inn at all for these kids. So, they get this idea: line up everyone that wants to get out, yell "bum rush" and hope the kids going out block the kids trying to get in because obviously the kids going out have the motivation of having to pee really bad. And shut the door again. Fast.
That situation made the kids outside NUTS. Rabid. Wild eyed and twitchy and oh my god I need in there sooo bad just because they won't let me in. I mean, to them, whatever was inside -- Nada was DJing at that point and, from where I was listening, it was actually starting to get old (really: moratorium on dropping MIA for two months. really: Serato seems to make DJs lazy*, IMHO) -- was the most important thing EVER. It was food. It was sex. It was the megaultimate-party-event-of-all-time that would be talked about for years-and-worth-dying-for. All wrapped up into one. Man, these kids were fucking zombies. They wanted to eat the party's brains. You should've seen them try to get under that door, shoving their wristbanded arms under, trying to dive under, total fever and panic in their eyes. And these, sirs and madams, are hipsters. I looked down at those reaching arms and all I could think was that this is the definition of hipster right there. Every time that door shut, the party just became cooler for them.
Poor fuckers, right? I dunno. What can I say? Why did I get in that van? I didn't want to go, really. I wanted to watch internet teevee and play with records. But, as I typed 'yeah...i'm still down' into my phone there must've been that echo from Wednesday: you've never partied in Philly?
On the other hand, I did catch the first ride I could back to Baltimore.
Sorry, I should've warned this was going to be a long one.
*I'm not really calling Dave Nada lazy there, though I did feel like I was hearing some obvious/same old, same old in the mix. BUT, aside from the obvious bit about Serato--that it's way easier to mix with--my comment about laziness more pertains to mp3 DJing from an ease-of-access perspective, e.g. when you have instant, cheap access to a shitload of new/hot jams, you might start to focus more on dropping shit first or always looking for the next best track and less on a solid mix. As in, man, I'll fit it in somehow. I can see how you'd wind up not caring so much about all of the fucking fantastic and creative ways tracks can come together and just on the individual tracks. When I did my first "real" DJ set, I was pretty worried about my total lack of mix skills and a friend tossed "all that matters is what's in the crate" at me. Well, no, unless you're playing jukebox at a wedding or some shit.
Well, I saw very clearly what 'it' is on Saturday night. And, rest assured, most of you are safe.
I went to Philly for the first time for a party. It was at Diplo's mausoleum which is a better-than-average warehouse space and an actual ex-mausoleum. I have no idea where in Philly we were at. I'd mentioned on Wednesday that I might try and go up because Glass Candy was doing another show up there and, hey, it might be cool to see them play a all-night blue pill and sweat mess and I was hoping Mike Simonetti would do a set (nope). Then I said I'd never been to Philly--like, I've never even driven through--and a friend went ballistic and insisted. So, despite epic haggardness (but still nothing compared to right now, which is just some srsly next level hangover shit as in I never want to see a Natty Boh again until, like, Wednesday night at the very earliest only because I have to review Shadow and if I don't get ten hours tonight I'm a guaranteed to be a danger to myself and others tomorrow)...where the fuck was I? Oh, right: I went to Philly.
Events leading up to the point of this post in capsule: van breaks down, mega thugged on at a bar by the the mausoleum, someone who will go unnamed goes way way too heavy on alcohol and winds doing this dance that looks like he's trying to hold onto the wing of a jet plane or like he's a suffocating fish, I almost piss myself because dude got ONE motherfucking porta potty for 600 some odd people, lady I was dancing with's friend straight falls over like a felled tree, and did I mention the van broke down?
The point of this post: It gets to a time where the space is packed, as in dancing is just not possible. People are trying to leave and I'm one of them because I have to piss again and I'd rather handle it in the bushes. But, they're not letting people out because there's concerns about the police and people lurking outside making scenes. This I assume anyhow. So, the door, which is this big metal sliding garage door thing is shut. There's kind of a panic vibe by the door. And the brave and noble staff (I mean that. Crazy props to Cullen, Simon, and the Mad Decent peoples not including Mr. Diplo himself who
That situation made the kids outside NUTS. Rabid. Wild eyed and twitchy and oh my god I need in there sooo bad just because they won't let me in. I mean, to them, whatever was inside -- Nada was DJing at that point and, from where I was listening, it was actually starting to get old (really: moratorium on dropping MIA for two months. really: Serato seems to make DJs lazy*, IMHO) -- was the most important thing EVER. It was food. It was sex. It was the megaultimate-party-event-of-all-time that would be talked about for years-and-worth-dying-for. All wrapped up into one. Man, these kids were fucking zombies. They wanted to eat the party's brains. You should've seen them try to get under that door, shoving their wristbanded arms under, trying to dive under, total fever and panic in their eyes. And these, sirs and madams, are hipsters. I looked down at those reaching arms and all I could think was that this is the definition of hipster right there. Every time that door shut, the party just became cooler for them.
Poor fuckers, right? I dunno. What can I say? Why did I get in that van? I didn't want to go, really. I wanted to watch internet teevee and play with records. But, as I typed 'yeah...i'm still down' into my phone there must've been that echo from Wednesday: you've never partied in Philly?
On the other hand, I did catch the first ride I could back to Baltimore.
Sorry, I should've warned this was going to be a long one.
*I'm not really calling Dave Nada lazy there, though I did feel like I was hearing some obvious/same old, same old in the mix. BUT, aside from the obvious bit about Serato--that it's way easier to mix with--my comment about laziness more pertains to mp3 DJing from an ease-of-access perspective, e.g. when you have instant, cheap access to a shitload of new/hot jams, you might start to focus more on dropping shit first or always looking for the next best track and less on a solid mix. As in, man, I'll fit it in somehow. I can see how you'd wind up not caring so much about all of the fucking fantastic and creative ways tracks can come together and just on the individual tracks. When I did my first "real" DJ set, I was pretty worried about my total lack of mix skills and a friend tossed "all that matters is what's in the crate" at me. Well, no, unless you're playing jukebox at a wedding or some shit.
Wednesday, January 9, 2008
I'm Doing This Thing

DJ Bear Ears plays at the Depot for Are We Not Men!?
with
Philly's Hurrah DJs
Mike T
DJ Mark Brown
Maybe like 10 p.m., maybe like $5
It'll be like being drunk.
This Week (Last Week?)
OK, these aren't terribly new either beyond the first and last three. Also, I'm going to try and find a different cover of "I'm On Fire" every week from here on out.
!Black Ghosts - "Find A Way Through This" [Plastician & Skream Remix] (Southern Fried)
@Chloe - "Around the Clock" (Kill the DJ)
@Chloe - "Suspended" (Kill the DJ)
#Chromatics - "I'm on Fire" [cover] (Italians Do It Better)
$Farah - "Law of Life" (Italians Do It Better)
%Murcof - "Memoria" [Sutekh's Trisagion Mix] (Leaf)
^Park Attack - "What Wave" (Tigersushi)
&The Skull Defekts - "White Lights Burning Eyes" (Important)
*Sutekh - "The Diamond House" (Soul Jazz)
Honorable WTF Mention:
=Cowboy Junkies - "Sweet Jane" (Rounder) - as a nine-minute psych jam; from Trinity Revisited.
I don't know if it works--it doesn't impress much besides being kind of cliche--but Vic Chesnutt singing "Postcard Blues" is nice.
!Black Ghosts - "Find A Way Through This" [Plastician & Skream Remix] (Southern Fried)
@Chloe - "Around the Clock" (Kill the DJ)
@Chloe - "Suspended" (Kill the DJ)
#Chromatics - "I'm on Fire" [cover] (Italians Do It Better)
$Farah - "Law of Life" (Italians Do It Better)
%Murcof - "Memoria" [Sutekh's Trisagion Mix] (Leaf)
^Park Attack - "What Wave" (Tigersushi)
&The Skull Defekts - "White Lights Burning Eyes" (Important)
*Sutekh - "The Diamond House" (Soul Jazz)
Honorable WTF Mention:
=Cowboy Junkies - "Sweet Jane" (Rounder) - as a nine-minute psych jam; from Trinity Revisited.
I don't know if it works--it doesn't impress much besides being kind of cliche--but Vic Chesnutt singing "Postcard Blues" is nice.
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